A fine example of, “Beauty is in the eye of the beholder,” although perhaps this should be read as ear. one generation flowers / even as another dies away.” Virgil added the bough: “As leaves that yield their hold on boughs and fall / Through forests in the early frost of autumn.” Dante wrote of the bough that “sees all its fallen garments on the ground,” and Milton imagined the fallen angels “thick as autumnal leaves that strow the brooks / In Vallombrosa.” In Pound’s poem, it is unclear whether the “petals on a wet, black bough” have already fallen onto the forest floor, or whether they remain clinging to a still living bough. It’s very anti-Imagist at any rate to include any figurative language. This article only goes to show that you can read anything into this lame excuse for a poem. ‘Imagisme’ (the final ‘e’ was Pound’s attempt to give the word a French sound, after Symbolisme; it was quickly, and quietly, dropped) began in the British Museum tea-room in 1912, when Ezra Pound declared to his ex-girlfriend Hilda Doolittle and her new boyfriend Richard Aldington that they were both ‘Imagist poets’, and the co-founders of a new poetic movement. The other thing worth highlighting about Pound’s use of images is the relation he draws between them: here there is no straightforward simile (the faces aren’t described as like the petals on the bough), nor is there metaphor (e.g. First printed in 1913 in Poetry Magazine, it was originally a thirty line poem before he put it through his Imagist paces. Ghostly images also conjure a secondary image of white. Pingback: 10 Very Short Modernist Poems Everyone Should Read | Interesting Literature. therefore, he concise his poem from 300 lines into 2 lines. so short.....so simple......so expressive, so gay...so retarded.....so down syndrome. If one imagines seeing a Metro station (Paris) crowded with people in cold wet weather, you can see the sea of dark coats with little upside down teardropp shaped splotches of white - the faces of the commuters. ↑ This page has been adapted from Pericles Lewis’s Cambridge Introduction to Modernism (Cambridge UP, 2007), pp.84-85. Like Eliot, he was fascinated by the poetry of Dante. and there is nothing to decipher. In a Station of the Metro - The apparition of these faces in the crowd; ... Ezra Pound is generally considered the poet most responsible for defining and promoting a modernist aesthetic in poetry. Like Hulme’s poems, and like much imagist verse, the poem is a memento mori, a reminder of the inevitability of death: its brevity is closely linked with its theme, which is partly the brevity of life. He channelled all of this learning into his poetry – including ‘In a Station of the Metro’. The brevity of life, the brevity of the Imagist poem. A perfect example of Imagist poetry! His work ranges from the very small to the very large: arguably his two most famous poems are a two-line imagist piece called ‘In a Station of the Metro’, and a vast, 800-page epic called The Cantos, which Pound worked on for over fifty years. By juxtaposing two concrete, exact images, Mr. Such a technique is less about juxtaposing, or placing side by side, the two images, and more about superposition, that is, placing one on top of the other. Although the word white is never mentioned, the use of that word along with the concept of contrast in the petals that would stand out against a dark bough starts to bring the image into focus for the reader. What makes this poem one of the best (in my opinion) is the versatility Mr. All information has been reproduced here for educational and informational purposes to benefit site visitors, and is provided at no charge... Recite this poem (upload your own video or voice file). Precise, succinct, but powerful description! © Poems are the property of their respective owners. lo scrittore scompare del tutto, solo le persone che osserva rimangono presenti. The reader is to understand that the faces of the subway riders are like petals on a wet black bough, but the word like does not appear in the poem. Image: Ezra Pound photographed in Kensington, London, October 22, 1913. its a lyrical photograph, or a visual instant which occurred to the author. Ezra Pound’s “In a Station of the Metro” of 1911, reads, in its entirety: The apparition of these faces in the crowd; ‘In a Station of the Metro’, written by Ezra Pound in 1913, is the Imagist poem par excellence. T. E. Hulme’s ground-breaking modernist poems, analysis of Wallace Stevens’s ‘The Emperor of Ice-Cream’, piece on a neglected WWI poem by Ford Madox Ford, discussion of Williams’s ‘The Red Wheelbarrow’, The Secret Library: A Book-Lovers’ Journey Through Curiosities of History, The Great War, The Waste Land and the Modernist Long Poem, Ezra Pound photographed in Kensington, London, October 22, 1913, A Short Analysis of Ezra Pound’s ‘In a Station of the Metro’ — Interesting Literature | JCU // Creative Writing Workshop, Recommended book and blog news, poetry and tarot inspiration, 10 Very Short Modernist Poems Everyone Should Read | Interesting Literature. Ezra Pound was the founder (and namer) of the imagists, as well as a noted modernist poet in his own right. Pound’s Parisian 'Metro station' has the same iconic status as 'the red wheelbarrow' of William Carlos Williams. Perhaps the Metro Station is not yet the underworld but only a way-station at which Charon’s boat may arrive momentarily. Much Fruit of Sense beneath is rarely found. Yes, it is a shame when people don't realize how limited their knowledge and awareness is and consequently make remarks that reveal their ignorance (not to mention simply being negative without support of any kind.) Petali su un ramo umido e nero. Thank you for this – a lovely, layered analysis that manages to be learned and intelligent without any pretention:), Pingback: A Short Analysis of Ezra Pound’s ‘In a Station of the Metro’ — Interesting Literature | JCU // Creative Writing Workshop. Nor is the verse as metrically regular as Pope’s leafy rhyming couplet. L'apparizione di questi volti nella folla; The central image of the faces as petals is clear and simple, and can instantly be visualized. briefpoems.wordpress com. He liked to play tennis, even though his friend Ford Madox Ford describes him playing like ‘an inebriated kangaroo’. But unlike Eliot, he dressed ostentatiously – almost a caricature of a poet, not the normal man in a suit that Eliot appeared. By any other name this would grate on the ear and leave you unmoved. Pound scrisse questa breve poesia a Parigi: possiamo immaginarlo osservare la scena della folla di persone, lui stesso uno dei volti o petali. Short, and bittersweet. The modern urban setting of the couplet is lost if the title is not granted its rightful place as originating line of a poem for which the altogether more rural image of the ‘wet, black bough’ acts as a terminus. By 1913, when Pound wrote his unofficial manifesto for the movement, ‘A Few Don’ts by an Imagiste’, Imagism had made a splash in literary circles, and Pound wrote this short essay (or manifesto) largely to address and correct certain misconceptions surrounding the movement, which H. D., Aldington, F. S. Flint, and Pound himself were coming to exemplify. More Ezra Pound > sign up for poem-a-day Receive a new poem in your inbox daily. Imagist - at its finest. Add this to the word petal. Like his friend T. S. Eliot, he was a prolific critic as well as a poet. Yet this paraphrase already adds too much to Pound’s poem, or rather subtracts too much from it. IN ITALIAN: that is the point of the imagist. We can see how he followed these three commandments (of sorts) in his two-line masterpiece, ‘In a Station of the Metro’. He is the author of, among others, The Secret Library: A Book-Lovers’ Journey Through Curiosities of History and The Great War, The Waste Land and the Modernist Long Poem. When he taught at Wabash College in Indiana, he did so with his feet on the desk, and became known for his flouting of college rules (he smoked in public even though smoking was banned; he made a show of mixing rum with his tea). Post was not sent - check your email addresses! It draws together the urban world of the Paris Metro with the natural world, the world of leaves and tree boughs. Take for example the assonance baked in; The 'a' sound in 'apparition' and 'black', the 'ow' sound in 'crowd' and 'bough' and the 'e' in 'petals' and 'wet'...on top of the being a stunning display of imagery, it is a technical masterpiece. a subtle metaphoric image echoing Basho haiku. Below, we offer a few words of analysis on this striking poem, which is one of Ezra Pound’s most famous pieces of writing. Enter your email address to subscribe to this site and receive notifications of new posts by email. Homer wrote that “Very like leaves / upon this earth are the generations of men: / …. The first line is a simple, clear and straightforward statement. These three tenets or commandments can be boiled down to: 1) direct treatment of the ‘thing’, whether subjective or objective; 2) use no word that does not contribute to the presentation; and 3) in terms of rhythm, don’t write in regular metre (which is like the beating of a metronome) but in irregular rhythms (as in music). The poem is structured paratactically: two images are juxtaposed and the relationship between them, presumably a metaphorical one, is left implicit. I think there are plenty of ways to interprete it.In Pound's diary, he noted, there must be something that can best describe certain revealed truth and in Japan there was Hokku, in China, there was image poems. The poem demonstrates that while imagism might appear to rely on an ideal of transparent language that conflicts with the non-representational character of much modern art, an emphasis on language as medium carries into poetry some of modern art’s concern with the way that all representations are constructed out of previous representations.[1]. Now, you may have noticed that I don’t have the usual screen shot of Goodreads where I give a star rating to whatever it is I’m reviewing. The poem can be summarised in one sentence. This was his version of Japanese haiku which, he claimed, provided a model of compression in verse, a “one-image” poem which is “trying to record the precise instant when a thing outward and objective transforms itself, or darts into a thing inward and subjective.” Sorry, your blog cannot share posts by email. (One of T. E. Hulme’s fragments read simply: ‘Old houses were scaffolding once / and workmen whistling’.). Interesting Literature is a participant in the Amazon EU Associates Programme, an affiliate advertising programme designed to provide a means for sites to earn advertising fees by linking to Amazon.co.uk. Start with that image. This poem is alive~, In A Station Of The Metro Poem by Ezra Pound - Poem Hunter.

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