[6] A review in Variety was negative, noting specifically that the "stilted acting, asides to explain characters and motivations, and a repetition of effects lose the initial impact" and an "unclear progression and plodding direction give [the film] an old-fashioned air". The police have gained a lead concerning a woman who wears a pearl choker, whom Jacques recognizes as Louise. His first feature, SHOT! [30] He made one more film strongly influenced by the Franju film, Faceless (1988). enjoy [24] The DVD also contains Georges Franju's first documentary Blood of the Beasts (1949), a depiction of a French slaughterhouse. "[7], To avoid problems with European censors, Borkon cautioned Franju not to include too much blood (which would upset French censors), refrain from showing animals getting tortured (which would upset English censors) and leave out mad-scientist characters (which would upset German censors). It's horror in homeopathic doses. [13] Although it passed through the European censors, the film caused controversy on its release in Europe. [5] Franju had grown up during the French silent-film era when filmmakers such as Georges Méliès and Louis Feuillade were making fantastique-themed films, and he relished the opportunity to contribute to the genre. [6] Franju felt the story was not a horror film; rather, he described his vision of the film as one of "anguish... it's a quieter mood than horror... more internal, more penetrating. [34], American film director John Carpenter has suggested that the film inspired the idea of a featureless mask for the Michael Myers character in the slasher film series Halloween. everywhere, everydevice, and everything ;). Unhappily there is practically nothing in this inept work to offer any encouragement for doing so. After causing an accident that left his daughter Christiane severely disfigured, the brilliant surgeon Dr. Génessier works tirelessly to give the girl a new face. [20] In England, Isabel Quigly, film critic for The Spectator, called it "the sickest film since I started film criticism",[21] while a reviewer who admitted that she liked the film was nearly fired. [17], On the film's initial release, the French critics' general response was moderate, ranging from mild enthusiasm to general disdain or disappointment, claiming it to be either a repetition of German expressionism or simply a disappointment of the director's leap from documentary filmmaker to a genre film-maker claiming the film to be in a "minor genre, quite unworthy of his abilities". [6] During the film's showing at the 1960 Edinburgh Film Festival, seven audience members fainted, to which director Franju responded, "Now I know why Scotsmen wear skirts. Edith Scob is an ethereal force in Georges Franju’s Eyes Without a Face as the horribly disfigured d…, There is a moment in Eyes Without a Face—you’ll know it when you see it—when, according to L’express, “the spectators dropped like flies.” At the Edinburgh Film Festival, seven viewers actually fainted, prompting director Georges Franju t…, Georges Franju’s Eyes Without a Face is for me the most chilling expression in cinema of our ancient preoccupation with the nature of identity. Please fill your email to form below. At his secluded chateau in the French countryside, a brilliant, obsessive doctor (Pierre Brasseur) attempts a radical plastic surgery to restore the beauty of his daughter’s disfigured countenance—at a horrifying price. While the doctor talks with the police, Christiane, who has long been disenchanted with her father's experiments, while slowly losing her sanity from guilt and isolation, frees Paulette and murders Louise by stabbing her in the neck. Franco's version of the story concerns the efforts of a mad surgeon, Dr. Orloff, to reconstruct the face of his disfigured daughter Melissa. October 6, 2013 . Eighty-nine seconds of pure Criterion terror. Edna escapes, but falls to her death from an upstairs window. [42], This article is about the 1960 film. Cinematographer Eugen Schüfftan, best remembered for developing the Schüfftan process, was chosen to render the visuals of the film. Eyes Without a Face (French: Les Yeux sans visage) is a 1960 horror film co-written and directed by Georges Franju and starring Pierre Brasseur and Alida Valli, based on the novel of the same name by Jean Redon. Inspector Edgar Tanner investigates Orloff using his girlfriend, Wanda Bronsky, as an undercover spy. All contents are provided by non-affiliated third parties. Brasseur's character is a plastic surgeon who is determined to perform a face transplant on his daughter, who was disfigured in an auto crash. Subs) Eyes Without A Face (1960) HD 720p Full Movie (Eng. He has been woefully unsuccessful to date. Subs) The doctor's world begins to collapse around him when his daughter realizes just what he has been doing. [31] The Italian film Atom Age Vampire (1961) was also influenced by Eyes Without a Face with a doctor attempting to take the faces of other women to repair his daughter's face. Jonathan Rosenbaum of the Chicago Reader praised the film, referring to it as "absurd and as beautiful as a fairy tale". [8] Modern critics note the film's two imposing musical themes, a jaunty carnival-esque waltz (featured while Louise picks up young women for Doctor Génessier) and a lighter, sadder piece for Christiane. [6], For his production staff, Franju enlisted people with whom he had previously worked on earlier projects. The song, which has the film's original French title ("Les Yeux Sans Visage") as the recurring background chorus, takes the father-daughter relationship from the film and recasts it as the deteriorated relationship between the narrator and his lover. Dr. Génessier promises to restore Christiane's face and insists that she wear a mask to cover her disfigurement. Dr. Génessier performs heterograft surgery, removing Edna's face. Subscribe to the www9.0123movies.com mailing list to receive updates on movies, [9][36][37] Another resemblance is Woo's use of white doves in his films that is similar to the character Christiane's dove-laden escape in the film's finale.[9]. Eyes Without a Face, directed by the supremely talented Georges Franju, is rare in horror cinema for its odd mixture of the ghastly and the lyrical, and it has been a major influence on the genre in the decades since its release. [2] Modern critics praise the film for its poetic nature as well as being a notable influence on other filmmakers. [26] The Encyclopedia of Horror Films agreed with the assertion of Cocteau's influence, stating that "Franju invests [the film] with a weird poetry in which the influence of Cocteau is unmistakable".

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