Title to each of the Artworks remains in the Artist until the Artist has been paid the full amount owing him or her for the Artworks; title then passes directly to the purchaser. From the Artist to the Exhibition Sponsor shall be borne by the Artist. Keep one copy of the Condition Report for your records. Prova Art Rights senza impegno e nessuna carta di credito. The Exhibition Sponsor acknowledges that it has no right to and shall not pledge or encumber any Artworks in its possession nor incur any charge or obligation for which the Artist may be liable. If the Collector was informed about the Artwork by attendance to the Exhibition or through Exhibition publicity, then the Exhibition Sponsor should receive any commission due under the normal term of the contract. 5. Confusing? (This last issue may be in conflict with the contract that the Exhibition Sponsor may have with its insurance carrier.) All inquiries concerning purchase will be directed to the Artist’s gallery. Photographic materials supplied by the Artist for the Exhibition may be digital images on disk in eitherJPGor TIFF format. Such exhibitions become part of the Artwork’s provenance (the exhibition history of a piece), and may increase the value of the Artwork. (The viewing audience may not even realize that the work might be for sale). D.  Return of Artwork Prior to shipping, it is a good idea for Exhibition Sponsors to confirm that the Artist is in town and available to receive the return of the Artwork from the Exhibition. Removal from Gallery. P O Box 455 Boulder Creek California 95006, Email: michael@enchantedcreek.com URL: http://www.enchantedcreek.com. Any change in the Retail Price, or in the Gallery's commission, must be agreed to in advance by the Artist and the Gallery. It is recommended that the contract avoid using use the terms “net price” or “artist’s price” (the wholesale price). MISCELLANEOUS All modifications, deletions or additions to this agreement must be in writing and signed by both parties and attached to this document. VII. The Artist or Collector should realize that other people are likely to find out eventually. GOVERNING LAWThis clause specifies in which state any potential lawsuit would take place. Publicity The Exhibition Sponsor will publicize the event in the following manner: ____________________________________________________________________________________________________________ If the Artist would like a press release sent to local newspapers or magazines the Artist will provide to the Exhibition Sponsor a contact name, address and email address four months prior to the Exhibition opening. C. Packing and shipping charges, shipping insurance costs, other handling expenses, and risk of loss or damage incurred in the delivery and return of the Artwork (Select Option 1, 2, or 3): a. Artists have a responsibility to keep abreast of the payment arrangements near the close of the exhibition. The Gallery will not permit any of the Artworks to be copied, photographed or reproduced without the written permission of the Artist. XIII. Artists and Exhibition Sponsors should make every effort to maintain the quality of images in a digital age. The appearance of compromised work at, perhaps, a discounted price on the secondary market can adversely affect the value and marketability of an Artist’s other work. The Exhibition Sponsor is responsible for storing the original shipping crates, boxes, and materials for repacking the Artwork. In another scenario that is similar, a collector accustomed to working with a specific gallery, may ask the gallery to arrange purchase of your work from the Exhibition Sponsor. A recommended hourly rate is the shop rate in your studio that covers your overhead and labor. IV. The Exhibition Sponsor will not handle the sale of any Artwork. The contract may be terminated at any time for breach of contract. Artist should discuss this arrangement with the gallery in advance, informing them about the work on display in the Exhibition so they are prepared, and send them at least one set of images for the work on display in advance of the Exhibition dates. VII. Surround the inner shipping box with peanuts or other high quality packing materials in an outer shipping box. Usually insurance is for the wholesale value of the work. If, at any time, the condition of the Artwork differs from the condition reported by the Artist on the Condition Report, the Exhibition Sponsor will document the current condition of the Artwork and will notify the Artist of the change in condition immediately. b. All proceeds and responsibilities for payment will be one of the following options:(Select from either Option 1, 2, 3, or 4 listed below). If the money is handled through the Exhibition Sponsor, some of them may pay the Artist only at the end of the exhibition. A written description of the loss or damage, with photographs and a statement of how it occurred must be sent by the Exhibition Sponsor to the Artist by mail. The Artist should be paid their percentage of the deposit and final payment immediately after payment from the Collector. Although sales are not considered a priority, the artist should value these exhibitions as important promotional opportunities. The Artist will not ask for return of the Artwork prior to the Exhibition closing date unless the Exhibition Sponsor breaches this contract (in which case Artist shall mail a termination notice to the Exhibition Sponsor). This contract shall expire ninety (90) days after the return delivery of the Artwork to the Artist. COPYRIGHT Artists always retain the copyright to all Artwork even after it is sold (unless there is another contract, which states that the copyright has been purchased or shared). Enclose a separate copy of the Condition Report with the work at the top of your box so it cannot be missed when the shipping container is opened. If the Artist does not provide alternate instructions to the Exhibition Sponsor within one year after the Artwork is placed in storage, then the Exhibition Sponsor may dispose of the Artwork in any manner at their sole discretion including sale of the Artwork, and all proceeds, if any, shall be retained by the Exhibition Sponsor. When cleaning and checking the work before packing, take a few minutes to fill out the Condition Report form in detail noting any wear, blemishes, scratches, fading, tears, cracks. The Artist should provide a complete list of information about each object such as materials (be exact), fabrication methods, techniques and process, date of fabrication, etc. REPRODUCTION Photographic reproduction of your work should give credit to the Artist and photo credit to the photographer. Scopri i segreti dell'arte con: Art Rights MAGAZINE, All rights reserved Art Backers s.r.l. The creditor’s rights are also cut off if there is a sign on display in the Exhibition stating that the exhibited work is on consignment, or on loan, but such signage is rarely used. The Artist shall be responsible for all repairs to Artwork necessitated by Artist’s faulty workmanship. GENERAL INFORMATION Some exhibitions sponsored by non-profit organizations, alternative art spaces and museums may seek to promote unusual, entertaining or provocative artwork for their particular audience. The Certificate of Authenticity: the Art Passport. Read the Professional Guidelines document Guide to Professional Quality Images as your guide. Will the insurance cover the retail value, wholesale value or simply the value of materials? H.  The Exhibition Sponsor shall insure the Artwork for its full, as the insurance value listed on the List of Artwork. Artist is responsible for furnishing instructions for display. c. From the Exhibition Sponsor to any point other than the Artist shall be borne by the Exhibition Sponsor. A little effort at the beginning can avoid misunderstandings that might occur if artists and the Exhibition Sponsor have not communicated adequately about their respective expectations and the terms of their relationship. In every instance of such use, the Artist shall be acknowledged as the creator and copyright owner of the Artwork. The Artist hereby consigns to The Gallery, and The Gallery accepts on consignment, those Artworks listed on the attached Inventory Sheet which is a part of this Agreement. Sending large digital files over the Internet via email is not recommended. The most common is that the Exhibition impacts the exclusive representation by the gallery of the Artist within a geographic area. Responsibility for Loss or Damage, Insurance Coverage. Artists should pack their work in a professional manner. The Gallery accepts for exhibition only, those Artworks listed on the attached Inventory Sheet which is part of this Agreement. Artists may receive a percentage of the deposit, for example, receiving full payment when the show closes and before the work is shipped to the new owner. for each venue if this is a traveling show.). The investment of time, materials and overhead makes it just as much the Artist’s responsibility as the Exhibition Sponsor’s to keep track of work on loan during the Exhibition and after the closing of the Exhibition. The Exhibition Sponsor is not expecting to represent the artist over an extended period of time in the same way as a gallery. ). Use the Condition Report  in the Professional Guidelines to document the condition of the art or craft at every venue. GENERAL CONTRACTUAL CONDITIONS 11.1 The present contract constitutes the totality of the agreement entered into between the parties covering the ARTIST’s WORKS in the context of the exhibition, as well as the conditions with regard to his or her professional services, if applicable. A condition report for each item will be included in the shipping container. Discuss with the Exhibition Sponsor which shipper they will use to return the work. This issue is especially relevant when the Artwork is already in the Exhibition Sponsor’s possession. Depending on the discussion of this issue and the artist/’gallery relationship, the gallery and Exhibition Sponsor need to decide how to allocate the remaining 50% commission. (check all that apply). One way to handle a purchase of work before the show closes is to take a non- refundable deposit on the work. The Professional Guidelines recommends that Artists keep the names and addresses of all collectors of their one-of-a-kind work. In addition, any previous articles or publicity about the Artwork or similar artwork would be helpful to the Exhibition Sponsor in developing press materials for the media and for potential collectors. Selling work below retail, in effect, discounts the value of all your work. Utilizziamo i cookie per essere sicuri che tu possa avere la migliore esperienza sul nostro sito.

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